The Pretty Thing That Lives In The House Statistiken
Die ehemalige Schriftstellerin Iris Blum lebt schon länger alleine in einem alten Haus. Inzwischen benötigt sie eine Pflegehilfe, weshalb die junge Lily bei ihr anfängt. Viel zu spät stellt diese fest, dass die alte Frau dunkle Geheimnisse hat. Im Thriller I Am the Pretty Thing That Lives in the House beginnt Ruth Wilson zu vermuten, dass die alte Krimiautorin, die sie pflegt, einen Mord beg. Der merkwürdige Horrorstreifen "I Am the Pretty Thing That Lives in the House" interessiert sich nicht für Schocks, Terror oder wirkliche Beklemmung. Vielmehr. I Am The Pretty Thing That Lives In The House ein Film von Osgood Perkins (II) mit Ruth Wilson, Bob Balaban. Inhaltsangabe: In einem Mit diesen Worten eröffnet der er Grusel-Film „I Am the Pretty Thing That Lives in the House“. Erdacht und in Szene gesetzt von Osgood.
Mit diesen Worten eröffnet der er Grusel-Film „I Am the Pretty Thing That Lives in the House“. Erdacht und in Szene gesetzt von Osgood. I Am the Pretty Thing That Lives in the House. + 1 Std. 29 sk61bulldog.sesche Filme. Eine nervöse, furchtsame Krankenschwester versorgt eine kränkliche. I Am The Pretty Thing That Lives In The House ein Film von Osgood Perkins (II) mit Ruth Wilson, Bob Balaban. Inhaltsangabe: In einem
An important thing about the the-dead-are-alive notion, especially in this film, is that it goes both ways. The living can sense the presence of the dead AKA ghosts , but the dead actually live on after their death, probably mostly concerned with reliving their past, but they might also be able to sense the living.
So who is haunting who? Consequently "Pretty" presents a ghost story within a ghost story, to put it in simplified terms.
In more concrete terms the plot concerns Lily, a nurse who stays in the house of elderly horror fiction writer Iris Blum, to take care of her until her death, which shouldn't be too far into the future now.
But it also wouldn't be too wrong to say that the main character is the house that had a few occupants over the course of its lifetime.
I don't mean this in the tired old this-and-that-place-is-like-another-character-in-the-film way, the personality of the house certainly is made up of all the people who lived in it.
But writer-director Oz Perkins takes the expression "If these walls could talk" and makes it a reality. It is about the people who lived in the house or more correctly the people who died in it , but for all intents and purposes the main character is the house itself.
She talks about death, memory and says "From where I am now, I can be sure of only a very few things. So right from the beginning we know that Lily at least Lily as a narrator is already dead.
Logic dictates that what we see on screen are her hazy memories of her short time in the house. Can we trust her words and can we trust what we see?
In any case, old Iris Blum doesn't talk much. But she keeps calling Lily by the name of Polly. And Lily seems to sense some ghostly presence in the house.
Polly, as we soon learn, is the main character of Blum's most famous novel "The Lady in the Walls", a novel of which Blum said it lacks an ending because of "an obligation to be true to the subject" for Polly didn't tell Blum about her ending, but Blum tells us that she is convinced that "as endings go, Polly's was not an especially pretty one.
Is there some connection? Perkins leaves the viewer in the dark for most of the film's running time about the concrete connections between all the characters, as slow and eventless as the whole thing is it is difficult to keep track of all the points of view.
For example Lily isn't the only one whose voice-over we hear, we also hear and see young Blum as she writes the novel, and we hear and see Polly.
Those voices also aren't particularly easy to distinguish, and it gets even more complicated when scaredy cat Lily finally dares to pick up "The Lady in the Walls" to read at least parts of it, the content of which is told from both Blum's and Polly's point of view.
Through the viewer's natural desire to know the answers the film evokes ideas on the way as we contemplate all the possible answers. Did Polly really exist?
Is she buried behind the wall? Are Lily and Polly somehow the same person? Is Lily a fictional character altogether?
Or is Lily only imagining things? Like a poem or a song it evokes first and foremost a tone, a mood, and sparks ideas of what it might be about.
The tone and the ideas immediately took hold of me, but it took me two viewings to really make sense of the narrative.
This isn't without its drawbacks, because frankly it isn't so much difficult to follow because it floods you with information that you need to sort out, on the contrary, it basically is so eventless that it poses a challenge to stay attentive for the whole time.
This was, however, clearly a conscious choice by Perkins, and his approach is nothing if not consequential.
But it makes criticisms of the film being "boring" particularly understandable in this case, "Pretty" indeed is very one-note, and unless it is a note you relish or that you learn to relish, it won't be enough for you to satisfyingly get you through a whole feature film.
As it turned out after two viewings, the solution to the mystery is quite concrete and surprisingly not at all convoluted.
Nevertheless the ending for me is as chilling as it is simple, and it beautifully circles back onto itself, like a chorus that keeps coming back, just what you would expect a story told by a ghost to be.
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Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A young nurse takes care of an elderly author who lives in a haunted house.
Director: Oz Perkins as Osgood Perkins. Writer: Oz Perkins as Osgood Perkins. Added to Watchlist. From metacritic. TIFF Vanguard.
Netflix Made: Movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview: Ruth Wilson Lily Paula Prentiss Iris Blum Bob Balaban Waxcap Lucy Boynton Polly Brad Milne Groom Daniel Chichagov Darling Erin Boyes In the kitchen, Lily briefly hallucinates that her arms have become bloated and covered in black mold spots.
That evening, she spots the reflection of the figure dressed in white standing in the room but when she turns, no one is there.
She discovers a moldy cardboard box hidden away in a closet. Inside are rough drafts for "The Lady in the Walls. In , the blindfolded Polly uses her hands to feel her surroundings, coming across a wall that has been stripped of its boards - the same section where mold is growing in present day.
Polly raises her blindfold and sees the hole, locking eyes with her husband in confusion. Her husband suddenly bludgeons her to death with a hammer and hides her body behind the wall.
In the present, Lily tries to discuss the book with Iris. Iris angrily explains that Polly betrayed and abandoned her, and reminds her that even the prettiest of things eventually rot.
Polly's ghost visits Iris, whispering in her ear. Investigating a mysterious sound, Lily finds the wall boards removed and piled beside the moldy wall.
She is startled by Polly's ghost and dies of a shock-induced heart attack. Several days after, Mr. Waxcap discovers Lily's and Iris's bodies.
Years later, a new family has moved into the house, watched over by Lily's ghost. Writer-director Osgood Perkins originally intended for the story to be about the daughter of a male horror novelist, but he said that "one day, it just changed".
Prentiss — a family friend who, as well as her husband Richard Benjamin , had performed with Perkins' father, Anthony Perkins — was the director's only choice to play Iris.
Smith of The Guardian wrote, "Osgood Perkins layers on the dread in his haunted house thriller. But as it becomes clear that there's no worthwhile story, the scares dissipate fast.
Dowd of The A. Club called it a creepy, slow burn drama that works despite its lack of a conventional payoff. From Wikipedia, the free encyclopedia.
Canada  United States . Toronto International Film Festival. Retrieved Entertainment Weekly.